The word ruckus, says UMBC clarinetist E. Michael
Richards,
"signifies a burst of diverse, and sometimes conflicting, activity
-- it seems to conveniently represent the pluralism and diversity of
music today." So when Richards and his two colleagues in the Department of Music, percussionist Tom
Goldstein and flutist Lisa Cella, searched for a name for their new
contemporary music ensemble, they thought Ruckus was ideal. Cella adds, "The three of us
have such a wonderful time together that we felt the name of our group
should really represent the kinds of personalities we have, and the way
we interact."For the past several months, the
three performers, joined by guest pianist Kazuko Tanosaki, have been preparing for their debut
concert, which will be held on Thursday, March 14, at 8 p.m. in the
Fine Arts Recital Hall.
"This concert," says Goldstein, "is the result of many
hours of playing together, and of sharing our individual perspectives on
each composition." The program includes music by Giacinto Scelsi, Jo Kondo, David Macbride, and UMBC's Stuart Saunders
Smith.
But the program isn't only the
premiere of Ruckus; it will also be the first performance of magnificat
1, a new work composed by
department chair Linda Dusman. "When I heard the UMBC Concert Choir
perform J.S. Bach's Magnificat last fall," says Dusman, "I became fixated on the
opening line of the Virgin Mary's song: 'My soul doth magnify the Lord.'
What would it mean to conceive of the soul as a lens for something
greater than oneself, rather than the essense of oneself? And how can one
shape the fragments of one's life into that unified vision? I had stayed
home on September 11, 2001 to compose. The events of that day added
another layer to the piece, for with horror I was reminded that
terrorists also imagine their souls as lenses of God, with devastating
results. So magnificat 1
has both elements at work -- the yearning for clarity, and the twists
that easily shift into distortion."
The concert also will feature some
short works by a loose-knit group of composers and artists who call
themselves Fluxus.
Often humorous or irreverent, Fluxus pieces usually aren't scored like
traditional music, but rather are written instructions. To commemorate
the Ruckus kick-off, President Hrabowski agreed to help perform the first Fluxus
piece on the program, Two Inches by Robert Watts.
New music, stemming from a long
classical avant garde tradition, isn't heard widely outside of academic
environments. But Ruckus intends to change that: "I see our mission
in two areas," says Richards. "One is to establish the group
(and UMBC) as a local, regional, and national/international research
center for composers and performers of contemporary music, where we can
explore new musical vocabularies. The other is to serve to educate
listeners through performances of music and musical ideas that they may
not have previously experienced." With that mission in mind, Ruckus
intends to embark on national and international tours, representing both
contemporary music and UMBC.
Admission to the Ruckus concert is
free with a UMBC ID. Regular general admission is $7, and $3 for students
and non-UMBC students. For more information, call the Department of Music
at x52942 or visit the online arts calendar.
FRANK COX received Bachelor of Music degrees in cello and composition from Indiana University, a Master of Arts degree in composition from Columbia University, and a Ph.D. in composition at the University of California, San Diego. He studied cello with Peter Wiley, Janos Starker, and Gary Hoffman, and has performed in numerous festivals and new music ensembles, including Ensemble Koln, the Indiana University New Music Ensemble, the Group for Contemporary Music, and SONOR, as well as at the 1980 and 1982 Spoleto Festivals, the 1983 Banff Summer Chamber Music Festival, the Xenakis Festival and Darmstadt Revisited Festivals at UCSD, and at the Darmstadt Festival since 1988, where he received a special citation for cello performance in 1990. Dr. Cox also received a Stipendium composition Fellowship at the 1990 Darmstadt Festival, won 2nd prize in the Los Angeles Arts Commission competition in the spring of 1991, and was co-winner of the Kranichsteiner Musikpreis (highest award for composition) at the 1992 Darmstadt Festival. He will join the faculty of the music department at the
University of Maryland, Baltimore County as an Assistant Professor of Music from August 2002.
KAZUKO TANOSAKI, a first-prize winner of the La Jolla Young Artists Competition, has performed as a guest artist at the Piano Panorama of Twentieth Century Music in Rotterdam, Holland, on French National TV, with I Musici de Montreal, and as a concerto soloist with the Syracuse Symphony, and Hamilton College Orchestra on their tour of Romania and Bulgaria. As a member of the Tanosaki-Richards Duo, active since 1982, she has performed recitals in Europe, Australia, Japan, and the US, including concerts at the American Academy in Rome, the Camargo Foundation (France), Lincoln Center (NY), the Guggenheim Museum (NY), the Tokyo American Center (Japan), and at international new music festivals in Melbourne, Kobe, Kyoto, and Sendai. Dr. Tanosaki holds a B.A. from the Kunitachi College of Music (Tokyo), M.A. from UC San Diego, and DMA from the Eastman School of Music.